![]() ![]() It has a slight different release time to allow the tone of the triangle wave to come through, but not overpower the sound.Įnvelope 2 is attached to oscillator a's coarse pitch. This is controlled by envelope 3 which is a much sharper, quicker shape (see below).Įnvelope 1 controls the coarse pitch and level of oscillator b. You can use foley sounds or kick drum transients to add a natural element to your kick. The noise oscillator is used for texture. The coarse pitch is again used for the shape and sound of the kick - giving it the click characteristic as well as the sub. This prevents the triangle wave from being in the sound too long and causing it to muddy up or distort the sound. The level and the coarse pitch is attached to envelope 1. The +7 semitones give it a harmonic that makes the kick drum sound a bit more tonal. Oscillator b can be added to oscillator a (if you want) to add tone to the kick. We have -4 on the octave to create a really low end kick layer. ![]() This gives the high-end click of the kick, quickly dropping down to provide the subby bass thump. The coarse pitch is attached to envelope 2 (going up +12st - +24st) to cause a sharp rise in pitch, then a quick drop. ![]()
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